Plagues
offer a peculiar light on the ways human deal with being helpless. Many other
types of disasters happen more suddenly: when there is a devastating
earthquake, hurricane, or volcanic eruption, catastrophe often arrives so
quickly and forcefully that there is very little time to do more than the
instinctual response, and only in retrospect do people find themselves with
time to contemplate how they might have prepared and responded. These events
involve forces which a human cannot hope to control, even if they can be
understood. In war, situations are often much more protracted for the majority
of participants, and there is a very real sense that one’s survival depends on
one’s capacity and actions. Events usually move slowly enough that there is
plenty of room to contemplate death and suffer in anticipation of death. A serious
plague combines some of the worst aspects of either of these kinds of tragedies:
it moves slowly enough to give a person time to think about the future, even
after becoming sick, which prolongs the acute mental emotional suffering like
experienced in war. However, although controlling the situation may be
theoretically possible, it often goes beyond any of the physical intuition that
people have learned.
This combination of unpredictability
and contemplation produces a societal response unlike what follows a massacre
or a tsunami: people have had time to ponder what may have been the cause of
events, as in war, and yet there is no clear group to blame. This mixture
leaves people with a sense of powerlessness, combined with the feeling that
they ought to have been able to respond to the situation. A plague, therefore,
shines a light on what exactly it is that people and nations do when they feel
helpless in a way that is prolonged enough to attempt to respond to the
situation.
Some of the earliest Western
writings we have show this response in detail: the events of the Iliad
begin with a plague among the Greeks in their war camp. When the plague
strikes, Achilles ask Calchas, a prophet, to divine the will of the gods, and
he responds earnestly: the Danaans have offended Apollo by spurning his priest’s
request for his daughter. Upon learning that the blame can be traced to a
specific source, they commit to remedying the situation, even at the cost of
Achilles losing the honor of his war-prize and becoming enraged with Agamemnon
(Homer 3). The Greek leaders were willing to pay a heavy price, socially and
personally, to regain some amount of control over the situation. Writing about
a similar culture, Sophocles depicts a plague in Thebes. In similar fashion,
the agonized Thebans wonder why the plague has struck the city, and turn to an
oracle to understand why the plague has come to the city (Sophocles 11-13). Oedipus,
as king, is asked (and expected) to determine the root of the problem when the
oracle leaves some uncertainty. And as king, he takes responsibility for the
situation as best he can; when the truth comes out that he killed his biological
father, he follows through on his own curse of exile. The tragedy of fulfilling
prophecy accompanies a great personal cost to Oedipus, but rather than stay in
the city and be the cause of a continuing plague, he chooses to leave,
maintaining some amount of control over his life. And although the people loved
him as a king, they let him go—forces greater than themselves are at work, and
rather than fight Fate and the plague, they allow their king to leave in
disgrace so that they might regain some amount of normal control over their
lives.
The Athenians, who had been
accustomed to an even greater amount of control over personal destiny than many
previous Greek cultures, felt this lack very sorely when a plague arrived, as
described by Thucydides. Unlike the Danaan war party and the Thebans, however,
they did not have a central authority to turn to, either spiritually or
politically (XXX Thucydides XXX). They found an oracle which, for some,
provided a religious reasoning for the plague they experienced, but the
populace as a whole found no solace, and so responded very differently from
Achilles and Oedipus. Without a clear problem to resolve, the people saw no way
of controlling their situation, and so they abandoned all of the moral and
social constraints under which they lived before the plague, compensating in a
sense for the lack of control they felt by taking individual, absolute control
over their actions.
Millennia later, Boccaccio describes
a similar situation among the Florentines, when the Black Death swept through
Europe. He describes in intimate detail how, early on, the people did their
best to take care of their friends and loved ones suffering the disease, but as
it became apparent that all in contact with the afflicted contracted the same
symptoms, societal structure broke down. Those who sought guidance through
prayer and the Church suffered fates no better than anyone else, and so no
spiritual authority made itself known by which the people could find a reason
for their suffering. As the plague
progressed, “li ministri e essecutori … erano tutti o morti o infermi o sì di
famiglie rimasi stremi, che uficio alcuno non potean fare” (Boccaccio, 23), and
so any sense of a political authority who might resolve the problem dissolved. Thus
the Florentines responded in a manner similar to the Athenians: “era a ciascun
licito quanto a grado gli era d’adoperare” (Boccaccio, 23). Amid
this complete abandon, the common people found ways to have a small amount of
control over their lives; some carried sweet-scented things with which to drown
out the stink of death and feel a little better while others fled the city
(Boccaccio 24-25).
The world today is very different
from what Homer, Sophocles, Thucydides, or Boccaccio experienced. But the ways
in which people respond to the COVID-19 pandemic now aren’t qualitatively all
that different from what those in the past witnessed. We look to authorities to
explain to us why the plague is happening: the WHO, CDC, and other
organizations which had very little to do with day-to-day life become very
important sources of information about how to avoid catching the new coronavirus
(Google Trends, “cdc” and “WHO”). Rather than look to an oracle or spiritual authority, people look to the scientific community, but they ask in much the same way Achilles and Oedipus asked: wanting to know how to regain control as an unknown threat to life seems to be spreading uncontrollably (NIH, coronavirus.gov).
Political authorities have cooperated with medical recommendations,
ordering quarantines in many countries; most US states have put in place some
sort of measure, even if not a full quarantine (Gershman). And on an individual
basis, many people push for their own sort of control over life: I have seen
some argue that the current response is an overreaction, while others insist
that stricter measures need to be put in place. Toilet paper, along with
staples like pasta and flour, became very scarce on store shelves nearly
overnight, visible at my local Walmart and across the country (Zagorsky).
Viewed in comparison to the Athenian
plague and the Black Death, the coronavirus pandemic is being handled quite
well, at least so far—governments are still operating, and in the place of
religious authority the medical community has handed down instructions on how
to take control of the situation. Although individual responses vary, by and
large the world has rallied around these instructions, even if the situation
has not shown immediate improvement. So, even if we do not know what the future
will bring, we can at least say that the world now seems not be en route to as bad
a situation as Thucydides and Boccaccio describe: although families may not be
visiting each other like before, they certainly still care stay in contact and about each other.
Works Cited
Boccaccio. “Prima Giornata: Introduzione”. Numbers refer to sentence numbering. Decameron. Accessed 9 April 2020 at www.brown.edu/Departments/Italian_Studies/dweb/texts/DecShowText.php?myID=d01intro&lang=it
Gershman, Jacob. “A Guide to State Coronavirus Lockdowns.” Wall Street Journal, updated 9 April 2020, www.wsj.com/articles/a-state-by-state-guide-to-coronavirus-lockdowns-11584749351
Google Trends. “cdc”. trends.google.com/trends/explore?hl=en-US&tz=360&geo=US&q=cdc&sni=3
Google Trends. “World Health Organization”. trends.google.com/trends/explore/TIMESERIES/1586486400?hl=en-US&tz=360&q=%2Fm%2F0840w&sni=3
Homer. The Iliad. Translated and edited by Stanley Lombardo, The Essential Homer, Hackett Publishing Company, 2000, pp. 1-240.
NIH. “Coronavirus Information”. www.nih.gov/health-information/coronavirus
Sophocles. Oedipus Rex. Translated by J. E. Thomas, Prestwick House, 2017 ed.
Thucydides. “The Plague in Athens”. Finley, Moses I., editor. The Portable Greek Historians. Viking Penguin, 1977, p. 265-273.
US Coronavirus Guidelines. coronavirus.gov
Zagorsky, Jay L. “We have plenty of toilet paper in the US – so why are people hoarding it? An economist weighs in.” Business Insider, 12 March 2020. www.businessinsider.com/america-has-toilet-paper-why-are-we-hoarding-it-2020-3


I really liked your essay! I thought your perspective on the the difference between fast acting disasters and slow moving ones was very insightful. This insight tells us why plagues are so terrifying, they give us time to agonize over different responses while also adding in the element of the unknown because many have never experienced or learned about what to do in a plague. I also mentioned the difference in attitudes towards religious authority and authority in general across societies in my essay. I think that these differences are very telling and reveal a lot about what a society's values are. Thank you for your insights!
ReplyDeleteAwesome Essay! I thought is was very interesting to see the contrast between more rapid disasters and the plague. I had never put much thought into why people reacted so differently to these slower-moving disasters. Prolonged suffering and the crippling weight of the unknown are enough to tank any society, and it is eye-opening to see how people react during their most helpless moments.
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